By Mahin Ahmed
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December 3, 2020
Earlier this month, the hit YouTube show ‘Does the Shoe fit’ returned for its 4th season. This time, Chunkz and Filly were joined by MOBO and BET award winning artist Konan (one half of Krept and Konan) as well as fellow social media personality Harry Pinero. The show consists of aforementioned stars going on speed dates with pre-selected girls. At the end of all the dates, the girls decide which was their favourite date. The show garners around 2 to 4 million views per episode, which makes it the most popular series on the Footasylum page by a country mile. Chunkz and Filly are the main hosts of the show and have previously been joined by Youtube superstar KSI as well as Love island contestants Jack Fowler and Jordan Hames (Who Jordan again?). Whilst for most ‘Does the shoe fit’ (We’ll call it DTSF from now on) is a great way to pass the time whilst eating your lunch, for me it stands out as an amazing example of content marketing. If you’re wondering what content marketing is, here’s a definition for the Content marketing institute, “Content marketing is a strategic marketing approach focused on creating and distributing valuable, relevant, and consistent content to attract and retain a clearly defined audience — and, ultimately, to drive profitable customer action." The reason DTSF is a great example of content marketing is because it ticks all the keys from the above definition. The value of the show is reflected in its strong viewership numbers and the way it drives people to the Footasylum YouTube channel. It’s highly relevant as it’s playing on the popularity of dating tv shows such as First Dates. Footasylum haven’t gone out to hire A-list celebs, instead they reached out to up and coming youngsters with big followings. They have a great understanding of the platform and they’re also relatable for the audience. The show is also consistent, already on its 4th season, there has been minimal changes to the concept itself apart from the location. Just take a look at the comment section of any other Footasylum video to see how much the audience wants more DTSF. Let's look into the show from a content marketing perspective. First of all, the lack of overt advertising within the videos help their cause. Footaslyum is a footwear brand, but there are no mentions of shoes in the whole show, not even a look at their contestants' sneakers. The only mention of the brand itself is in the title of the show. You won’t find any cutaways or product placement on the show. Footaslylum have understood that their target audience hates being sold to, so they kept it organic all the way through. Whilst some marketers might see this as a missed opportunity, for me it shows a commitment to delivering great entertainment and nothing else. The absence of sales tactics resonates with the audience and keeps them engaged. The marketing aspect aside, 'Does the shoe fit?' as a piece of entertainment succeeds on a number of levels. It boils down to the natural chemistry of Chunkz and Filly, two figures who have come to be considered national treasures by many across the nation. Despite their popularity, some would say they're still up and coming since they’re somewhat less established than some of the more popular online creators. This makes them more exciting, and better-suited talent for appealing to Footasylum’s trendy 16-24 year old customer base. Chunkz and Filly also succeed from a relatability standpoint. Whilst they have both found huge amounts of success in recent years and possess a great deal of charisma, they’re both incredibly humble figures which makes watching them navigate the pitfalls of dating all the more entertaining. But most importantly, Footasylum leaves the talent to do their jobs without meddling, handing them scripts, or giving them products to flog. The result is a product that is incredibly authentic and a breath of fresh air from the content we’ve come to associate with branded work. It’s very clear to see the authenticity that the duo carry themselves with relates with audiences on a different level. Speaking in slang, speaking on subjects that the culture is discussing or going viral, speaking in a tone of voice that we respect truly does build deep and meaningful connections with audiences. Footasylum get right what so many brands do not. Instead of getting worked up over profanity and crude humour being associated with their brand, they embrace it, because they understand that it’s exactly what their target audience expects from these entertainers. It’s clear the hosts and their guests are holding nothing back, and the strong uninterrupted flow of banter that is present in each episode gives birth to iconic meme-worthy moments that are shared far and wide across all social media platforms. That’s why they are delivering such high engagement and impact; it’s the tone of voice, the authenticity that comes with people being themselves, filming their personalities and interests. They become our friends and people we grow to care about. Ultimately, DTSF has done an incredible job in carving out a unique space for itself online and building a dedicated audience. A quick look at Footasylum’s page on Social Blade will tell you all you need to know about the insane numbers it racks up. This series, as well as the others on the Footasylum YouTube channel, are about more than selling trainers; they’re about targeting the brand’s 16-24 customer base and creating a connection that goes beyond footwear.